​《走进非遗--文化传承》 非遗文化传承大师蔺高管作品赏析

《走进非遗--文化传承》

非遗文化传承大师蔺高管作品赏析

  博大精深的中华文明是中华民族独特的精神标识，是当代中国文艺的根基，也是文艺创新的宝藏。中国文化历来推崇“收百世之阙文，采千载之遗韵”。要挖掘中华优秀传统文化的思想观念、人文精神、道德规范，把艺术创造力和中华文化价值融合起来，把中华美学精神和当代审美追求结合起来，激活中华文化生命力。故步自封、陈陈相因谈不上传承，割断血脉、凭空虚造不能算创新。要把握传承和创新的关系，学古不泥古、破法不悖法，让中华优秀传统文化成为文艺创新的重要源泉。

  The extensive and profound Chinese civilization is the unique spiritual symbol of the Chinese nation, the foundation of contemporary Chinese literature and art, and the treasure of literary and art innovation. Chinese culture has always advocated the idea of "collecting the missing texts of centuries and collecting the legacy of thousands of years." We should tap into the ideas, humanistic spirit, and moral norms of fine traditional Chinese culture, integrate artistic creativity with Chinese cultural values, and combine the spirit of Chinese aesthetics with contemporary aesthetic pursuits, so as to activate the vitality of Chinese culture. Self-preservation, old reasons can not be inherited, cutting the blood line, creating nothing can not be considered innovation. We should grasp the relationship between inheritance and innovation, learn from ancient times, and break the law without going against the law, so that fine traditional Chinese culture can become an important source of literary and artistic innovation.

  蔺高管字云平，别号：西窗居士。1940年生；1960年美院附中毕业；1963年毕业于北京艺术学院美术系国画专业；师从高冠华、白雪石…… 在校期间就常常去故宫临摹、研究历代名画，力求能从全局上认识中国画。毕业后又师从王雪涛先生学习花鸟画多年，对王派小写意画法有一个全面的认识与理解。在个人的长期艺术实践中，潜心研究中国画的基础理论，个人专著有：

  1995年著《花鸟画章法入门》（此书1995年由人民美术出版社出版）

  2012年著《西窗画要十说》（此书2012年由中国書畫出版社出版）。

  2016年著《蔺高管流动水墨画选集（花鳥系列）》。（天津人民美朮出版社出版）

  2017年著《蔺高管流动水墨画选集（黄山系列）》。（天津人民美朮出版社出版）

  同时经过二十多年的摸索、试验、独创出一种“流动渲染”的渲染方法，这种方法改变了传统渲染方法的工艺流程。传统渲染方法——是先调和好水与墨，然后作画。而流动渲染——是让水与墨在运动中调和。

  在流动渲染的基础上，蔺高管创新出一种新的画法——“流动水墨画”。“流动水墨画”有一个独特的唯一性：它既不能临摹也无法手工复制。“流动水墨画” 为传统水墨画的发展注入了新的内容，在中国水墨画的创新道路中迈出了勇于尝试的一步。

  Lin executive word Yunping, other name: West window Jushi. Born in 1940; Graduated from the High School attached to the Academy of Fine Arts in 1960; In 1963, he graduated from the Fine Arts Department of Beijing Academy of Arts, majoring in traditional Chinese painting. From Gao Guanhua, Bai Xueshi...... During the school, he often went to the Forbidden City to copy and study the famous paintings of the past dynasties, and tried to understand Chinese painting from the whole. After graduation, he learned flower-and-bird painting from Mr. Wang Xuetao for many years, and had a comprehensive knowledge and understanding of Wang Pai's freehand painting. In my long-term artistic practice, I have devoted myself to studying the basic theories of Chinese painting. My personal monographs include:

  1995 Introduction to Flower-and-Bird Painting (published by People's Fine Arts Publishing House in 1995)

  In 2012, he wrote "Ten Words for West Window Painting" (The book was published by Chinese Painting and Calligraphy Publishing House in 2012).

  In 2016, he published "Lin Senior Executive Mobile Ink Painting Anthology (Flower and Bird Series)". (Published by Tianjin People's Fine Arts Publishing House)

  In 2017, he published "Lin Senior Executive Mobile Ink Painting Anthology (Huangshan Series)". (Published by Tianjin People's Fine Arts Publishing House)

  At the same time, after more than 20 years of exploration, experiment and creation of a "flow rendering" rendering method, this method has changed the traditional rendering method of the process flow. The traditional rendering method is to mix the water and ink first, and then paint. And flow rendering - let the water and ink blend in motion.

  On the basis of flow rendering, Lin executives have innovated a new painting method - "flow ink painting". "Flowing ink painting" has a unique uniqueness: it can neither be copied nor reproduced by hand. "Flowing ink painting" injected new content into the development of traditional ink painting, and took a bold step in the innovation of Chinese ink painting.